By Sue Townsend

ISBN-10: 1569474389

ISBN-13: 9781569474389

This 5th installment of Adrian Mole's diary (The mystery Diary of Adrian Mole elderly thirteen 3/4; Adrian Mole: The Cappuccino Years, etc.) breaks new floor with its main issue for present affairs and its sympathetic remedy of not-always-exemplary characters. Adrian, as ordinary, is being affected by a number of relationships and with consistent monetary difficulties, continuously attempting to do the best factor, yet frequently giving in to his baser urges, in love and in spending. He turns into by chance engaged to dollhouse-building homebody Marigold whereas spending flirtatious evenings with formative years love Pandora; fires off missives to the likes of Tony Blair and Tim Henman; and works, really, to be an exceptional father, good friend and ex-husband to a solid of usually extraordinary yet continuously human characters. Townsend, writer of diverse non-Adrian novels, performs and nonfiction, makes Adrian's grownup disorientation palpable as he attempts to determine how he went from internet hosting a well-liked tv express to operating in a failing second-hand bookstall, and copes with the surprise of seeing adolescence bullies make sturdy and formative years desires move awry. Arguments in regards to the conflict determine prominently: one in every of Adrian's sons is distributed to Iraq; his ally, Robert, is there, too. Adrian's reactions to the conflict are complicated, humorous and wrenching. by the point the diary breaks off (on Sunday, July 22, 2004), issues are having a look up for Adrian and a bridesmaid—and he's contemplating (to her consternation) writing an autobiography.
 

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I fired, and then, misery upon misery, I realized that I had only succeeded in blowing away still more of the broken log. The explosion, however, had one good result. It set the leopard once more upon its gyrations, giving me an opportunity, and a very welcome opportunity, to get to the other side; the side exactly opposite from the dangerous aperture. Once more the scraping and tearing commenced, but before the log 75 Black Laughter and extracted a formal promise that I would give it a trial. It was completed three days after he left.

Prior to making the :final adjustments, however, we would drag the bait along all the neighbouring paths so that the leopard might be directed by its smell to the trap. This occupation was usually reserved for me and many a curious emotion I used to experience as I pulled the lifeless weight over roots and tussocks till it was disfigured with dust. Meanwhile my brother would be working away at the thorn protection in some bushes under a group of cedar trees. And then darkness would fall and the air would become full of unexplained noises and strange unexpected smells and the African wind would blow against our faces and set the long tufted branches of the forest trees tossing against each other, and we would stumble through the grass to the old familiar shamba-track and so come nearer and nearer to the 42 43 Black Laughter The Rhythm of Africa small lamp-lit house where there would be boys to be seen, and labour-tickets to be marked, and, perhaps, a letter to write on the cheap thin paper we used to get from the Indian shopman at the station.

The posts were placed only two inches apart so it was impossible to see between them unless one was close up. Indeed, I had come up to within a yard of the trap before I detected the large angry yellow head of the beast. It was looking straight at me and I shall not easily forget the strange thrill that went down my spine as I met the cold concentrated gaze of tha~ im- 74 The Leopard Trap prisoned cat. I shot. A second afterwards I realized that my worst fears were likely to be fulfilled. The cage shook and rocked and a succession of deafening roars issued from behind the logs.

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Adrian Mole and the Weapons of Mass Destruction by Sue Townsend


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